李彩宁

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。该剧为《秘密森林》的衍生剧，以人气角色徐东载为中心展开，讲述由于过去赞助检察官的不正当行为，未来一片漆黑的清州地方检察厅检察官徐东载，因再开发事件而头疼不已时，随着负责女高中生杀人事件，作为检察官的直觉和机会主义者的本能，开始铤而走险的故事。。秦毓涴本是名门将女，为爱困在永安侯府五年！做了京都皇城人人夸赞的贤妻良母！可她的夫君赵云晟表面深情，背地里却养了个外室柳依依，甚至以“表妹”之名将柳依依接进府里日夜厮混，连他们的儿子赵念安都认柳依依当娘！。